Training Your DJs to Do Bridal Party Intros

By Mike Walter

A wise person once said “You never get a second chance to make a first impression.” And I think most people would agree, it is universally true.

You have one shot in life, one moment, to open up your mouth and make a first impression. When you are dealing with one-to-one communication, that first impression is significant. So when you are dealing with One-to-One Hundred and Fifty that first impression becomes even more important.

It’s for this reason that every one of my training sessions begins with Bridal Party Introductions.

Welcoming the Bridal Party

We are a “wedding company” and so my MCs do a higher percentage of weddings than any other type of event. And here in the Northeast, our wedding receptions are structured to begin with Bridal Party Introductions (immediately following a cocktail hour.) So the very first time our guests hear us and see us in action, we are walking onto the dance floor with our cordless microphones, welcoming everyone and then introducing that all important Bridal Party (culminating, of course, with the Bride and Groom!)

Make It Smooth

In addition, I’ve always felt that if you can slam Bridal Party Introductions, then kicking off a corporate event or opening a Birthday party with a smooth introduction should be pretty simple. The only exception I’d make to this is Bar and Bat Mitzvahs which have their own unique style. If your company does a lot of Mitzvahs, I’d suggest you emphasize the opening (Family Introductions, Candle Lighting etc) in your training as much as I work on Bridal Party Introductions in mine.

How Training Begins

I begin with my trainees the very first week of training by having them read from a script. I created this script years ago by recording myself at four of five weddings and then transposing my Bridal Party Introductions and keeping the best lines in. As fate would have it, “Scott and Margaret” were a Bride and Groom I performed for back then and it’s their names that have stuck. I only mention that because now, almost twenty years later, we still use the same script. I’ve heard “Good Evening and welcome to Scott and Margaret’s wedding reception…” about a million times in my life!

After two or three weeks “on the script” I give them a list of the same names they’ve been using (the now famous Scott and Margaret’s bridal party) and then as we progress we start changing the list week to week so they get used to different names. I also start getting into how to bring in divorced parents, the difference between a Maid and a Matron of Honor and so on.

Improvement is a Process

But going back to week one, I initially look for the very basics of MCing. I want to hear a good clean voice with a bit of natural inflection. I expect to see a nervous, unconfident person so I look past that. And I’m never critical that first week. I leave them with a few basic pointers and build up their confidence by highlighting anything positive that I heard or saw.

Keep On Refining

As the weeks go on, Bridal Party Introductions are the place where I work with them on their vocal quality, their presence on the dance floor, their gestures and animations, anything and everything that will make them a better, more dynamic MC and entertainer. At points during training I’ll video tape their introductions also so we can go back and watch them together. It’s one thing, for example, to tell someone they need to smile more. It’s another thing altogether when they see themselves on TV not smiling. That can be the real difference maker in terms of their growth and improvement.

Bridal Party Introductions can be a great platform to teach your MCs many of the finer points of public speaking. All the elements that you want and need in a smooth MC are right there for you to work on. Plus, if through repetition and practice your trainees become experts at opening the night, they will always make a great first impression.

Photo Courtesy of Miller + Miller Photography

So how much do you emphasize Introductions in your training? And what other things do you make your trainees work on?

Mike Walter – “The Quality Corner”

Mike Walter is a nationally recognized expert in the areas of DJ staff training and multi-system business development. He is also a writer for Disc Jockey News and Producer of the International DJ Expo’s “DJ of the Year” competition. Mike is the owner of NJ’s Elite Entertainment, selected by The Knot and Modern Bride magazine as one of the country’s top entertainment companies. Mike’s highly praised DVD set is available at TrainingYourNextGreatDJ.com. To contact him about his on-site training services or for general inquiries, email [email protected]

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Do you expect your DJs to use the same approach to intros at every event? What if your bride wants a laid back reception? I believe in excellent delivery and inflection. I also believe intros should focus on those being introduced, which is why I stand to the side for introductions. This also helps me minimize the chance of microphone feedback. Do you teach several styles of delivery, or is your company the same flavor no matter what in intros delivery?

Mike, I avoid the dance floor and don't want guests to see/notice me. Having seen your interactive style on your youtube videos, I now understand your approach.

I absolutely agree with Mike and Stacy, body language, smiling, confidence, knowing your material and the proper pronunciation of the names of the people you are introducing are all very important. Skill on the microphone comes first from a natural talent, then honing that talent until you are smooth, confident and efficient. Practice, Practice, Practice.

Frederick, Thanks for the question and the chance to expound on this point. Yes I think gestures are important especially early in the party when you as an MC might be alone on the dance floor. Stage actors are taught to be bigger than life and I have the same philosophy. I want everyone in the room to see me and big gestures help. Will you be in Atlantic City next week? If so I will be talking about this and demonstrating what I mean at the Allstar Wedding MC seminar on Monday. Hope to are you there!

I think that the use of body language is an important aspect of how an MC conveys enthusiasm to and commands attention with an audience. I don't think that Mike was suggesting that a wedding DJ should behave like an orchestra conductor but rather that he/she needs to MOVE gracefully, naturally and enthusiastically during the course of an event, and not just stand there like a rock.

Gestures? Animations? Interesting training approach but aren't those features of aerobics instructors or mimes rather than wedding DJs?